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Tuesday, July 14, 2020 | History

3 edition of Ostinato technique in the Franco-Flemish motet: 1480-ca1562 found in the catalog.

Ostinato technique in the Franco-Flemish motet: 1480-ca1562

Mary Electa.* Columbro

Ostinato technique in the Franco-Flemish motet: 1480-ca1562

by Mary Electa.* Columbro

  • 206 Want to read
  • 31 Currently reading

Published by University Microfilms in Ann Arbor .
Written in English


The Physical Object
FormatMicroform
Pagination1 reel.
ID Numbers
Open LibraryOL14721580M

The Franco-Flemish composer Josquin des Prez (ca. ) developed a personal style by adding to the northern, contrapuntal idiom the text-oriented chordal writing of Italian masters. His works were described as models of the "perfect art.". How were these Franco-Flemish chansons different from the Parisian? After who is representative of the northern chanson? sacred (Mass, motet) and secular (French chanson, Italian balletto, etc.) music? Grout, Sixth Edition, Chapter 7 What is the name of the dance book and its author? What are the two ostinato patterns and.

Cristóbal de Morales is considered by many to be the greatest Spanish composer before Tomas Luis de Victoria (c, biography coming soon). In fact, if you only know two Spanish composers’ names, those are likely to be the two. Morales’ music has a strong Franco-Flemish flavor to it (for composers of this ilk, check out those listed on my website). Videntes, the superb schola cantorum of the Church of the Epiphany, Washington, DC, led by Jeremy Filsell, sings a Mass and motets of Christóbal de Morales ().The Morales Mass is based on a song, Mille Regretz, by Josquin des l plays three organ pieces by Antonio de Cabezón, including one based on a tune by Josquin, on a portative pipe organ built for Epiphany in by.

a passage of poetry from anywhere in the Bible other than the Book of Psalms. What was a primary concern for Franco-Flemish composers of ? a polyphonic chorale setting that uses techniques of Franco-Flemish composers. Published collections of psalms were known as. psalters. Scotto's five-voice book stands out in the complex as being worthy of particular scrutiny, but its singular qualities—its blanket anonymity, its unique repertory—nonetheless come into clearer focus when viewed in the context of the other motet publications. While the books of masses help to establish the discrete nature of the s voci.


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Ostinato technique in the Franco-Flemish motet: 1480-ca1562 by Mary Electa.* Columbro Download PDF EPUB FB2

Major franco- flemish composer of the 15th and early 16th century. Renaissance period of liturgical music, most known for the writing of masses and motets. in all voices across the course of an entire work or section of a work.

began to spread in the early 15th century. motet of Josquin. Ostinato technique. technique that the cantus. Most of the composers of cut-circle motets were from northern France, but were active in Italy; the best-known were Du Fay and Brassart.

The cut-circle motet as a subgenre of the cantilena motet was first identified by Julie E. Cummings, and is described in detail in her book, The Motet.

Nicolas Gombert (c. – c. ) was a Franco-Flemish composer of the was one of the most famous and influential composers between Josquin des Prez and Palestrina, and best represents the fully developed, complex polyphonic style of this period in music history.

Abstract. The inventory of manuscripts of Philip II of Spain lists, among its many entries, a music book opening with a six-voice motet Salve Jesu by Pierre de la Rue. Unfortunately this manuscript no longer exists, and as the motet could not be located in any of the Alamire manuscripts or in other sources containing La Rue’s works, it figures as a lost composition in lists of La Rue Author: E.T.F.

Jas. a chorale motet is. a polyphonic chorale setting that uses techniques of Franco-Flemish composers. Published collections of psalms were known as. psalters. What are metrical psalms.

vernacular, rhymed translations of psalms recast as metric and strophic The first book publish in North America was. the Bay Psalm Book. The church of england. FRANCO-FLEMISH GREAT where: France/Italy--great demand ARS PERFECTA--the perfection of the day's style *unaccompanied vocal * voices *transparent texture (voices stay in own range) *varied textures (homophony and polyphony) *careful treatment of dissonance *attn to words, mood, text, pronunciation, highlighting of words/phrases.

Many of Morales’s motets employ a structural device such as cantus firmus, canon or ostinato. One such is the state motet Gaude et laetare, Ferrariensis civitas, performed in Ferrara Cathedral on Sunday 9 March to celebrate the award of a cardinal’s hat to Ippolito II d’Este, younger brother of the then Duke of Ferrara, Ercole II.

Motet had changed into a polyhonic setting of a sacred latin text. Also, some used text directly from the Bible, and poetry. It's no longer used only as an ornament to the liturgy, but it's also part of royal court entertainment.

Used same techniques as settings of the Mass: canon, cantus firmus, ostinato. Gombert’s motet is in the Franco­Flemish style and shows a preference for imitative polyphony but without.

much interest in text depiction or rhetorical effects. Victoria’s motet was written after the Council of Trent. and emphasizes the intelligibility of the words.

is a formal technique in which variations are produced through the development of existing material. is a form of music based on a bass-ostinato and written in triple meter.

a type of composition in three sections in which two themes or subjects are explored according to set key relationships. Unformatted text preview: Pg / The Reformation: Rebellion against the authority of the catholic church-- Martin Luther Hymns in the vernacular: known as chorales Could be sung at home, gave people in the pews a role to sing at church also Rewrote new religious words to well known secular songs Ionian mode associated with hymns of faith Luther wanted to increase worshippers.

A book with so intriguing a title causes one to speculate as to the definition of musical symbolism espoused by its author. This definition is of cardinal importance in a work that embodies the first systematic study of a much neglected aspect of Franco-Flemish poly-phony.

The notion of the symbolic function of music is an extremely. The Missa Pange Lingua is probably the most famous work written by Josquin des Prez and is generally thought to be his last mass. Rather than being a summation of his previous compositional techniques, Josquin s mass synthesizes several contrapuntal trends from the late 15th and early 16th centuries into a new style that would become the predominant compositional technique used by Franco /5(8).

Franco-Flemish school: Headed by Josquin Desprez. It was the third of the three Netherlands Schools. These composer's were interested in creating new techniques within the popular existing forms, as opposed to inventing new form types. Christoph Willibald Gluck. This monograph highlights the notion of symbolism and opens questions of meaning in midth- to lateth-century Netherlandish music.

Compositional structures and processes (like canon and ostinato), as well as the use of number, are explored as ways of communicating extrinsic meaning in music in connection with cantus firmus technique.

It was published by Gardano in Venice in in the Third Book of Motets. In it was the subject of an elegant book with 11 color plates by Edward E. Lowinsky, Cipriano de Rore’s Venus Motet – Its Poetic and Pictorial Sources, that was distributed to every member of the American Musicological Society by 5/5(1).

Nicolas Gombert (c. – c. ) was a Franco-Flemish composer of the Renaissance. He was one of the most famous and influential composers between Josquin des Prez and Palestrina, and best represents the fully developed, complex polyphonic style of this period in music history.

• Franco-Flemish composers from the imperial court (e.g., Gombert) were active in Spain • Franco-Flemish polyphony thus had a profound influence on Spanish polyphony • Tomás Luis de Victoria ( ) was the most famous Spanish composer of the 16th century • He was primarily active in Rome.

Morales was the first Spanish composer to achieve true international fame, and was described by contemporaries as ‘the light of Spain in music’. Although he is relatively well-represented in recordings, a few pieces have attracted the attention of performers at the expense of the majority of his output.

This recording aims to begin filling that gap by presenting works which are so far. Franco-flemish composers in the 15c and their careers Definition Guillaume Du Fay, leading composer of his day.

most of complete settingof ordinary mass based on a single cantus firumus. wrote iso rhythmic motets. last prominent composer to use plainchant.

wrote many secular music in french. With the establishment of the Anglican church, settings of psalm texts from the English prayer book became common. The well-known “O clap your hands together” by Orlando Gibbons () is a setting of Psalm 47 for double choir that eight Stile Antico singers carried off with joyful aplomb and surprising volume.So this motet travelled east down Oxford’s High Street soon after its composition.

Sadly, this set of partbooks is missing its tenor book (the second part up from the bass), although Mater Christi sanctissima is also contained in the ‘Sadler’ partbooks, which date from half a century later.the red priest”: concerti; he writes for an orchestra comprising orphan girls living at the Pieta in most popular set of concertos, The Four Seasons: four concertos for solo violin and strings including La Primavera, represents a Baroque programmatic work, i.e, each movement is attached to a poem, a are responsible for the first movement of La Primavera: a movement.